Since the primary subject in my work is often the figure, I'm big into the study of anatomy. I think understanding how and why the body is shaped and moves as it is/does can only elevate my ability to represented it (and take liberties with it). My first mentor, Mike Molnar, was also a proponent of anatomy study and introduced us to a great book by Joe Sheppard, his mentor: Anatomy: A Complete Guide for Artists.
http://www.amazon.com/Anatomy-Complete-Guide-Artists-Dover/dp/0486272796 (check it!) It's a great tool, and I totally recommend it. I think I have studied and copied just about every page in the book.
My interest in the figure and anatomy has also hugely guided my decision to apply to the New York Academy of Art for my MFA - and only the NYAA. Their program is phenomenal, and, at this point, it's NYAA or bust! Their philosophy:
"At the New York Academy of Art, we believe that the world of visual art is built upon the essential cornerstones of figurative drawing, painting, and sculpture. Mastering these disciplines is critical to the development of an artist's personal vision and, ultimately, to the creation of vital contemporary art." I'm sold. Haha. http://www.nyaa.edu/nyaa/index.html Did I also mention the faculty? Yeah, Jenny Saville teaches color workshops and shit. I could die!
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| Muscles of the head and neck study referenced from Sheppard's Anatomy book. |
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| Muscles of the head and neck study referenced from Sheppard's Anatomy book. |
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